Monday, 29 December 2014

Film Review - Night at the Museum 3




Art Effects 

Film: Night at the Museum: Secret of the Tomb
Cast: Ben Stiller, Robin Williams, Ricky Gervais
Directed by: Shawn Levy
Duration: 1 hr 39 mins
Rating:  * * *

If you have seen any of the two previous installments of this franchise, then you know exactly what to expect in this edition of Night at the Museum and if you’ve liked previous films, this one will please you as well. 

Night at the Museum: Secret of the Tomb is a fluffy family entertainer. For kids, it might also serve as a lesson in world history but then barring a couple of characters, you’ve seen the others before.

In the opening sequence set in 1938, we are told about the tablet of Ahkmenrah which is extracted in Egypt but the locals fear that it will bring the end.  The tablet is pretty much the size of a 10” tab. 

In present day, Larry (Ben Stiller) is in charge of a high profile event at the Museum of Natural History and suddenly everything goes haywire. Ahkmenrah, Teddy Roosevelt, Sacagawea, Attila the Hun, Dexter the Capuchin Monkey and the Tyrannosaurus skeleton they go crazy. All because that age old tablet is now getting corroded. 

The solution is to go to England and seek advice from Ahkmenrah’s parents who are in the British Museum. There, the gang also meets sir Lancelot an additional character among the usual suspects.

The entertainment is harmless, you don’t even have to join the dots they automatically join themselves. There are a couple of funny scenes, one involving a cameo by Hugh Jackman which is genuinely funny.    It is also peppered with some pop-cultural and historical references from time to time in order to cater to those who might find the proceedings a little dumb for their liking.

The film drags towards the end making you a little desperate but if middle of the road entertainment is your thing, then go ahead and enjoy it.  


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Saturday, 20 December 2014

Film review - PK


Food For Thought

Film: PK
Cast: Aamir Khan, Anushka Sharma
Directed by: Rajkumar Hirani
Duration: 2 hrs 33 mins
Rating: * * * ½

Since he made his debut as director in 2003, Rajkumar Hirani has made four films and each one has wooed audiences and critics alike. The distinct feature of his films is that not only does he entertain, but in the process he makes larger points about society and people.

This time he has admirably taken on an issue that has not been highlighted much in films and, if it at all, it has mostly been in a preachy form: godmen and religion have plagued society for long, and Hirani attempts to address this matter.

The end product may not be entirely satisfactory, but for what the director has attempted to highlight and does successfully, the film deserves applause. Plus, whenever the screenplay hits a few road bumps, the lead actor Aamir Khan comes to its rescue with his savior faire.

Imagine someone from an alien planet who lands on this earth and discovers our strange ways of life. By strange I mean, hating, mauling and killing other people for no discernable reason except that they belong to another religion or caste.  Ideally, I think he or it would laugh at us for being the densest species in the universe, for our infinite capacity for self-destruction.

PK (Aamir Khan) is an alien who has come from outer space but looks human. He lands in the deserts of Rajasthan wearing nothing but his birthday suit and the ‘remote control’ of his spaceship. He doesn’t speak any language but eventually learns Bhojpuri in just six hours. And like many humans, he rolls his eyes and bobs his head. The ‘remote control’, or the device with which he controls his spaceship, is stolen and he is stranded. Luckily, he acquires an ancient Panasonic two-in-one (model RQ-565D for those interested in trivia) to cover his family jewels.  He is told that only God can help him retrieve it but the question is, which God should he turn to for help? He tries all possible options – Jesus, Allah, Krishna and the other deities – but with no success. This is where director Hirani lays the ground to make bigger and bolder statements. Occasionally they are not so subtle, and that factor depends entirely on your own sensibilities and notions.

Anushka Sharma plays Jagat Janani and wisely enough, she prefers to be called Jaggu. A television anchor who returns to India from Belgium, she doesn’t buy PK’s story to begin with, but when she is convinced, she helps him retrieve his ‘remote’ which is in the possession of a self-serving godman (Saurabh Shukla). That sets the ground further for an all-out expose of blind faith that plagues the country.

The first half of the film is breezy with some witty dialogues and situations. It is not easy to make people laugh by portraying their own silly beliefs (like the majority of students praying before their exams as if that will alter the result, to quote just one oddity).

Boman Irani as Jaggu’s boss and Sanjay Dutt as PK’s rustic buddy make an appearance with relatively little screen-time.

While there is subtlety in some scenes, as when PK visits religious places, Ghalib’s Zahid sharab peene de masjid mein beth kar sung by Mukesh plays in the background as he approaches a mosque and he lands up at a church with a coconut and incense in a thali.

At the same time there are passages that are preachy and the second half of the film takes a tumble with the dramatic climax. The faults are easy to spot but they can be ignored because the larger picture takes precedence. The theme of godmen was tackled in Oh My God as well but this movie takes it a notch higher. The writers (Abhijat Joshi and Hirani) have ensured that they are equal opportunity offenders when it comes to different religions. 

The success of the film lies not only in what it portrays on the screen but also in how it makes the audience ponder about the central theme. After all, how many films offer any food for thought these days?

While a couple of the songs (Love is a waste of time and Bhagwan, Hai Kahan Re Tu) may be hummable and well-picturized, they are out of place in the narrative and slows down the momentum. The background music is also a bit frenetic at times.

Of the cast, Anushka Sharma is sufficiently bubbly and charming as her character demands. Aamir Khan gives one of his best performances and plays the lead role with terrific conviction and ease.

On the whole, PK is far from being flawless but it remains a must watch film for those who believe in god, and also for those who don’t.


Published in The Navhind Times on 20th Dec 2014

Monday, 15 December 2014

Film Review - Lingaa




Return of the King

Film: Lingaa
Cast: Rajnikanth, Anushka Shetty, Sonakshi Sinha
Directed by: K.S Ravikumar
Duration: 2 hrs 55 mins
Rating: * * 1 / 2

It has been four years since Enthiran when Rajini saar graced the screen (not counting the live action capture disaster Kochadaiiyaan) so Lingaa comes after a considerably long for wait for the fans of. They will be and usually are happy with whatever he does, there is no two ways about that. But what about the rest ?

Well, as a film Lingaa is not just old school it is antique school. As a story there is absolutely nothing novel on display here, in fact some of it is embarrassingly shoddy, like a heist scene for example inspired by Peter O Toole’s How to Steal A Million (1966). But you have to hand to the man, the superstar himself who brings a great deal of zeal to the table and becomes the singular reason you want to watch this film.

Lingaa (who else by Rajnikanth) is a petty thief aspiring to pull off a Rififi kind of job with his friends. A television anchor (Anushka Shetty) who otherwise is a crusader to exposed wrong doings is a witness to the crime but instead of bringing him to book, she is highly impressed by him. After all he is Rajnikanth.
There is also a dream sequence song and dance routine inspired by Pirates of the Caribbean and Mission Impossible. Not quite sure what the lyrics meant in Tamil but the subtitles said the following – “Mona, my catalyst gasoline darling” and “"Your Mona is like Fort Knox treasury.”

Ms. Anchor takes him to her village because he has ‘royal blood’ and the doors of a temple which has been locked for decades should be opened by royalty. In flashback we are told about the origins of the temple where during the British era, in 1939 to be precise, Rajnikanth plays Raja Lingeshwaram who volunteers as the district collector of Madurai since he has studied civil engineering at Cambridge. He is also seen reading Joseph Campbell’s A Hero 
With A Thousand Faces (self reference?) and we can only presume it was a draft because the novel was published in 1949.

King turned collector turns king again to help the people suffering from an acute water crisis to build a dam. Sonakshi Sinha plays his love interest and sleepwalks through her role as if she was romancing Akshay Kumar or Ajay Devgn.

There are plenty of references to Rajini’s reel (Baasha, Billa) and real life (his profession as a conductor and political statements). The well informed crowd (even in Goa) whistled and clapped at every such occasion.

The dialogues are a hoot, at least the subtitles certainly are. Surely a lot of effort has gone into writing some of those crackling lines and to suit his image, there are social points made as well.   

For those unaware of why Rajnikanth is such a phenomenon, Lingaa gives ample reason and proof. Whether it is his dialogue delivery, his facial expressions, his style or even his walk, you know you are watching a very special actor in action.

And that brings us to the grouse I have with the film and some of his other films recently. Why have such inane scripts for such a talented actor? The audiences love his act anyway so isn’t there any writer /director out there who can raise the bar instead of just dishing out the same fare time and again? 
The audiences may or may not but Rajnikanth surely deserves better.

But meanwhile, if you are his fan, Lingaa is a wet dream.  

Published in The Navhind Times on 14th Dec 2014

Film Review - The Hobbit: The Battle of the Five Armies




Battle Royale

Film: The Hobbit:The Battle of the Five Armies
Cast: Martin Freeman, Ian McKellen, Luke Evans
Directed by: Peter Jackson
Duration: 2 hrs 24 mins
Rating: *  * 

The Hobbit trilogy of films finally comes to an end with The Battle of the Five Armies. Directed by Peter Jackson, this prequel to the Lord of The Rings is just one book, and not too thick one at that, but Jackson managed to stretch it into 3 parts and that too of considerable duration in length. At 2 hours 24 minutes, this wrap-up film is the shortest compared to the other two.

The obvious problem of stretching a book so much is that the intensity goes missing and plus there is a lot of flab. The previous installment The Desolation of Smaug ended on a high and promised a high octane finale. It starts off with the dragon cutting loose and unleashing its fury on Laketown till an ace archer Bard  (Luke Evans) manages to put it to rest. Bilbo (Martin Freeman) and the dwarfs can only look from a distance while all the breathtaking action unfolds.

Once the opening act is over, the screenplay looses steam. Thorin (Richard Armitage) is all starry eyed and obsessed with the discovery of gold and even turns a blind eye to the word which he had given to Bard. Meanwhile Gandalf (Ian McKellen) manages to escape from Dul Guldur and makes an appearance when the fight to the finish begins. Bilbo Baggins pretty much becomes a spectator to everything that is happening around.

The battle of the armies is the most eye catching piece here and it lasts for over an hour. Jackson surely knows how to pull off a spectacle and the visuals are impressive. The finale is indeed the saving grace as there are portions which will appeal strictly to Tolkien fans.  There is also bit of romance thrown in for good measure between the Amazonian elf Tauriel (Evangeline Lilly) and lovestruck dwarf Kili (Aidan Turner). 

Compared to The Lord of the Rings, The Hobbit trilogy is a slight letdown primarily because it has not been sustainable from a storytelling point of view. Jackson has lived upto the challenge of using superior special effects as a creative tool.

But all said and seen, am glad he is done with The Hobbit. Now he can go back to making films again. 

Published in The Navhind Times on 14th Dec 2014

Film Review - Action Jackson




Double Trouble

Film: Action Jackson
Cast: Ajay Devgn, Sonakshi Sinha, Orange suits, Glass eyed man
Directed by: Prabhudheva
Duration: 2 hrs 26 mins
Rating: *  

"Na commitment na appointment, only punishment" thunders the hero. True, Action Jackson has no commitment to a sensible script and this film is one appointment we could do without.  But if a punishment is what director Prabhudheva was intending to unleash on the unsuspecting audience, then he has succeeded. And how.

Regressive, illogical, sexist, over the top, ludicrous are some of the words that come to mind as an instant reaction after watching this travesty of a film. Somehow, Prabhudheva   struck gold at the box office with films like Wanted, Rowdy Rathore and R..Rajkumar which were pretty awful in their own right, but this one takes the cake. 

The mind boggles to think of the story even for the purpose of writing this review.  There are two Ajay Devgn’s in the film, lets deal with the first one - Vishy is a Bambaiyya goon who could single handedly defeat the army of say Saint Kitts and Nevis or Kingdom of Tonga. Sonakshi Sinha plays a character whose I.Q is not only low, if a test is done, I suspect it come in the negative. She works in a corporate office and along with her other low I.Q friends is convinced that is she sees the goons family jewels, her luck will change. And to achieve her objective she makes several attempts and even tries to pull his pants. Meanwhile, you want to bury your head in a sand pit.

Now meet Devgn No.2, a lookalike of No.1, who is simple called A.J. He is an assassin from Bangkok, an expert with the Samurai sword and works for a don (Anand Raj) with one glass eye and a tonsured head. All his henchmen, with the exception of A.J of course, wear orange suits. Even the Dutch don’t wear so much orange at a football game. 

The bone of contention is the Don’s sister Marina (Manasvi Mamgai) who has the hots for A.J after he rescues her from another set of bad guys.  The feeling is not mutual as A.J is going steady with Anusha (Yami Gautam) making Marina the most desperate woman in our solar system.  The two lookalikes then have to help each other till a fight to the finish is arranged leaving you brain dead.

People slap each other for no particular reason and women are punched in the face and if there was a race for pregnant women to run in high heels, Yami Gautam would win it hands down.  Prabhudheva ji also tries to be a Tarantino and Roberto Rodriguez in the action scenes and needless to say, he fails. 

There are plenty of routine dance numbers and the dialogues are completely inane, like this one “My way or the sky way” whatever that is supposed to mean.

Sonakshi Sinha is getting used to and becoming an expert at these dumb characters. But whatever has got into Ajay Devgn? Last year it was Himmatwala and now this. 

Move over Sajid Khan, you have stiff competition from Prabhudheva. 

Published in The Navhind Times on 7th Dec 2014

Film Review - Exodus - Gods and Kings


Leaving Home

Film: Exodus - Gods and Kings

Cast: Christian Bale, Joel Edgerton, Ben Kingsley

Directed by: Ridley Scott

Duration: 2 hrs 30 mins

Rating: * * *

Hollywood has been evidently gravitating towards religious themes and if you make it into a big spectacle then box office success is guaranteed. This year itself we have seen couple of high profile directors revert to the Old Testament, Darren Aronofsky with Noah and now Ridley Scott with Exodus - Gods and Kings, the director has made some memorable sci-fi films like Alien and Blade Runner and the crowd pleaser, Gladiator. 

Scott who is 77, is still on the money when it comes to creating a larger than life film with stunning visuals. The letdown is the screenplay, with four writers sharing the credit it could well be a case of too many cooks spoiling the broth.  

Set in ancient Egypt, a grown up Moses (Christian Bale dressed as a warrior) is good friends with Ramses (Joel Edgerton, dressed in a skirt, long one) and the Pharoah (John Turturro) prefers the adopted Moses to his son. The two men have the odd disagreement especially when it comes to the slaves. After his identity is discovered (he is a Hebrew) Moses is banished, he meets a girl in the desert gets married and almost lives happily ever after.

Till God appears in the form of a 10 year old boy telling Moses not to sit tight and keep an eye on the atrocities committed by Ramses.  Moses takes it very seriously, after all it is the word of God, invisible to everyone else albeit.

The plagues strikes Pithom after Moses tries to reason with Ramses – crocodiles eat up humans, insects and frogs take over the city and the sea turns blood red. With a $200 million dollar budget all that and more can be arranged. The finale where the huge wave strikes not to mention those sweeping camera takes as it builds up, are quite impressive.

What lacks is a strong narrative. At least Aronofsky had a different take on the Noah story, here the screenplay neither pushes the envelope nor sticks to the traditional Cecil B. DeMille’s Ten Commandments kind of narrative. In the end we see Moses as an old man but he looks tad younger than he would at 120 years of age. 

On the whole, Exodus is a watchable film for its scale and visual grandeur in spite of the 3D which doesn’t add any value. 

Published in The Navhind Times on 7th Dec 2014