Showing posts with label Sushant Singh Rajput. Show all posts
Showing posts with label Sushant Singh Rajput. Show all posts

Sunday, 5 April 2015

Film Review - Detective Byomkesh Bakshy!



Cal Ho Na Ho

Film: Detective Byomkesh Bakshy!
Cast: Sushant Singh Rajput, Anand Tiwari, Neeraj Kabi, Swastika Mukherjee
Directed by: Dibakar Banerjee
Duration: 2 hr 30 mins
Rating: *  *  *

Based on the works of Sharadindu Bandyopadhyay, Byomkesh Bakshy (originally spelt with an i) gets his first outing in Hindi cinema. The director couldn’t have been better, Dibakar Banerjee is surely one of the brighter stars to shine lately and he also got the backing of one of the biggest production houses in the form of Yashraj.

The positives first – the setting of Calcutta in the 1940’s, the detailing that has gone into it, the ambience, costumes,  lighting, camerawork  and the overall production values  are absolutely top class., there is no two ways about that. It is as real and as good as a period drama can get.

But those factors aside, this film is about a detective and whether it is Holmes, Feluda or Byomkesh,  ultimately it is the story and the suspense that keeps you going, the surroundings and aura only add to the effect.  A visual medium like cinema only enhances the scope for better story telling but on a downbeat note, the focus in Detective Byomkesh Bakshy! is only on the grandeur of the scenes with very little going for it in terms of the story. Perhaps the film makers got swayed away in making a magnum opus by ignoring some of the basics.

Set in the middle of WWII, it opens with a bang, opium trade is booming and when one such consignment is being loaded, a shadow appears from nowhere spoiling the party. That scene reminded me of noir films of yesteryears, like Carol Reed’s classic, The Third Man (1949). Next: a young man (Anand Tiwari) approaches another young man who goes by the name of Byomkesh (Sushant Singh Rajput) to probe his father’s disappearance. The latter is a detective, not much is told about his background even though this is supposed to be an ‘origins’ story.          

We then cut to the chase, Byomkesh decides to investigate the disappearance and lands up as a paying guest at a doctor’s (Neeraj Kabi of Ship of Theseus fame) house. The missing man knew a thing or two about chemicals and the plot thickens as several characters are introduced including a Mata Hari who happens to be an actress (Swatika Mukherjee) by profession.

Chinese drug dealers, Japanese army are involved as the story gets a bit complicated but at that point, as a viewer, you are not with Byomkesh in solving the mystery nor are you too keen to find out. Ultimately, it is more out of formality rather than curiosity that you want to know, who-dun-it and why.

The pace slackens from time to time and characters keep coming and disappearing only to pop up again.

You can’t help but admire the canvas and the moody setting. Cinematographer Nikos Andritsakis, Banerjee’s long time collaborator has used lights like we have never seen in a while. Vandana Kataria’s production design and the collaborative music score that uses heavy metal deserves a special mention.

On the acting front, Sushant Singh manages to hold fort in the lead role with Anand Tiwari admirably giving him company. Neeraj Kabi makes a positive impression whenever he is on screen.


Detective Byomkesh Bakshy! is worth a watch, with some reservations though.

Published in The Navhind Times on 5th April 2015 
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Saturday, 7 September 2013

Film review Shuddh Desi Romance






Love Me Do   

 Film: Shuddh Desi Romance
Cast: Sushant Singh Rajput, Parineeta Chopra, Vaani Kapoor
Directed by: Maneesh Sharma
Duration: 2 hrs 15mins
Rating: * * * 1 / 2

            Director Maneesh Sharma who gave us the eminently likable Band Baaja Baraat, returns to his familiar terrain of weddings, once again. The result is a film that breaks new barriers and goes into this uncharted territory of unconventional romances. For years, we’ve been fed with the staple diet of the same old formula when it comes to romantic films and romcoms, but this one dares to be different, very different and that’s a good reason to celebrate Shuddh Desi Romance.             
Good writers in Bollywood are as rare as good politicians in the country at the moment. Jaideep Sahni (Company, Chak De, Khosla Ka Ghosla, Rocket Singh) belongs to this rare breed of writers and he has pulled it off yet again by writing the story, screenplay, lyrics and the dialogues. The scenes are well crafted, the characterization is superb- it was most heartening to see the women characters stand out, usually they get a raw deal in films but here there is no typical portrayal of them and after Gangs of Wasseypur (which was long time ago), for the first time I’ve seen women on an equal footing as the men. Bravo, way to go Jaideep Sahni.
Cut to Jaipur then and meet the tourist guide Raghuram Sitaram (Sushant Singh) but he prefers to be called just Raghu. He is about to get married to Tara (Vaani Kapoor) but being a commitment phobic guy he dumps her at the altar, or rather the mandap, as it is in this case. Before you can say runaway groom, he falls for Gayatri (Parineeti Chopra), attraction becomes mutual and there is much more to it.
Tara is back on the scene and our Raghu is kind of caught between Scylla and Charybdis but in a far more positive way than that Odysseus had to face. Rishi Kapoor plays an elderly man trying to put some sense in the young man’s head. 
 Post the intermission or bathroom break as it is referred to in the film, it is not as scintillating as it was in the first half. But yet the triangular love story is several notches above the flaky Jawaanis, Deewanis and what have you. Relationships as we know them, have changed considerably over the years, something that Saini’s screenplay acknowledges very well and something that our other films never really focused on. While it doesn’t provide answers, it raises some questions about the institution of marriage or rather the lack of it.
On the flip side, there was no particular need for those scenes where the actors look into the camera and address the audience. In an otherwise well crafted film that was an aberration.
Manu Anands cinematography captures the colors and essence Jaipur including a couple of shots that have the wow factor. On the acting front, Rishi Kapoor is a delight to watch as always. Considering it is her debut, Vaani Kapoor is quite impressive. Sushant Singh Rajput delivers a good performance and shares a good chemistry with the ladies. But the one who really knocks it out of the park here is Parineeti Chopra. This is the best performance by an actress I’ve seen in 2013. For her savoir faire and many other good things, you should pay a visit to this Shuddh Desi Romance.


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