Showing posts with label Kay Kay Menon. Show all posts
Showing posts with label Kay Kay Menon. Show all posts

Wednesday, 1 April 2015

Film Review - Baby


Spy Games

Film: Baby
Cast: Akshay Kumar, Danny Denzongpa, Kay Kay Menon
Directed by: Neeraj Pandey
Duration: 2 hrs 40 mins
Rating: * * 1 / 2

Neeraj Pandey’s Baby belongs to that rare genre of espionage thrillers although now-a-days there isn’t much of differentiation between those films and ones that tackle the issue of terrorism. Baby offers a mixed bag, by and large it remains predictable for most parts but the redeeming factor is the finale that is reminiscent of Argo, but keeps you engrossed all the same. That may not be the only film that Baby reminds you of, there is also a bit of Nikhil Advani’s D-Day in the storyline.

Akshay Kumar plays Ajay, an elite member of an intelligence unit called Baby which is formed to foil and counter terror attacks in the country. It opens with an action sequence in the heart of Istanbul which is nicely shot but has little meaning in the context of the film. The scene then shifts to India where a dreaded terrorist Bilaal (Kay Kay Menon) manages to escape from the police in broad day light. Meanwhile the intelligence unit learns that some attacks are being planned by the Lashkar group with a Mullah (Rasheed Naz) being the mastermind. 

The trail leads first to Nepal and from there to the climax in the middle-east where Ajay and his team (Rana Dagubatti, Anupam Kher) manage to catch the big fish. 

The problem with the screenplay is that it takes too long, almost the whole of first half to establish itself. The politics of the films and the portrayal of Muslims is also way too simplistic. Instead of seriously addressing the issue, Pandey brushes it with very broad strokes – he was better off leaving them alone rather than delving on them in this fashion.

The action is quite well choreographed, whether in Nepal, Turkey, India or the climax it ranks right up there. Particularly enjoyable is a fight scene between a lady agent (Tapsee Pannu) and the rogue dealer (Sushant Singh) in a hotel room.  Since our hero is so invincible, we know exactly how it is going to end but to Pandey’s credit, the climax though predictable, is riveting.

Of the cast, the ever reliable Danny Denzongpa adds a lot of credibility to his character as Intelligence chief. The supporting actors, Anupam Kher, Rana Dagubatti and Kay Kay Menon are aptly cast. It is so refreshing to see Akshay Kumar play a role that he pulls off so well rather than those mundane comedy films that he does so often. 


Published in The Navhind Times on 25th January 2015


Saturday, 30 August 2014

Film Review - Raja Natwarlal




Who Con Tha

Film: Raja Natwarlal
Cast:Emraan Hashmi, Humaima Malick, Kay Kay Menon, Paresh Rawal
Directed by: Kunal Deshmukh
Duration: 2 hrs 21 mins
Rating: * *

Directed by Kunal Deshmukh, Raja Natwarlal is one of those films with an extremely improbable plot that relies completely on the final pay off.  The problem with taking the audience round in circles for over two hours is that no matter how smart the climax, it’s not easy to forget the parts that look contrived. Besides, I can’t think of another similar film in recent times where the heroine’s character was so irrelevant to the plot and yet she gets so much screen time.

Inspired by a host of films starting from The Sting, Oceans 11 to desi flicks like Khosla Ka Ghosla and Special 26, Emraan Hashmi plays Raja a conman who works with his partner (Deepak Tijori) and when he has the time and money, he courts a bar dancer (Humaima Malick). Like all small time guys, Raja wants to go for the kill – one big job that will settle his future. That mission goes wrong and he loses his partner. The money they stole belonged to ruthless Indian businessman Yadav (Kay Kay Menon) based in South Africa.

In a bid to seek vengeance, he meets Yogi (Paresh Rawal) an ex conman himself who assembles a team of like-minded con men and off they go to South Africa.

Turns out that Yadav is a big cricket fan, he even knows the weight of Sir Don Bradman’s bat which was used in the 1937 Ashes series. Raja and co. then hatch a plan to dupe him which is so complex and throws all logic and reason out of the window.

A few liberties are always taken in films but if it does too often you lose interest in the proceedings. Clearly the script writers relied too much on the revelation in the climax and ignored the plot points leading to it. Romance generally has very little scope in such film and here it is a mega-drag because too much importance is given to it. Add to it, the songs don’t’ help the already dampened spirit.

It’s a pity because with the right tweaking Raja Natwarlal could have been a nice little caper but ends up being a forgettable flick.