Showing posts with label Paresh Rawal. Show all posts
Showing posts with label Paresh Rawal. Show all posts

Saturday, 18 April 2015

Film Review - Dharam Sankat Mein



Losing My Religion

Film: Dharam Sankat Mein
Cast: Paresh Rawal, Annu Kapoor, Nasseruddin Shah
Directed by: Fuwad Khan
Duration: 2 hrs
Rating: * * 1 / 2

What would happen if one fine day, you discover that you were born in a different religion from the one you are professing? That is the basic premise of cinematographer turned director Fuwad Khan’s Dharam Sankat Mein which is officially a remake of The Infidels (2010) where a Muslim discovers that he was born to Jewish parents.

In this case, it is Dharampal (Paresh Rawal) who is more of a cultural Hindu who constantly questions many of the rituals and specially Godmen. His family are big fans of Neelanand Baba (Nasseruddin Shah) who like the Messenger of God, makes an entry on one of those heavy duty envious bikes and lives up to his name – everything from his attire to posters are blue. “Kya who filmein bhi neeli dekhte hain?” an appropriate question is asked.

When Dharampal opens his late mother’s bank locker, he discovers that he was adopted and his biological parents were Muslims. For someone who is not particularly fond of religion, he is a bit shaken up and traces his father who is ill in an old age home. The maulvi (Murli Sharma) tells him that he has to become a Muslim in terms of knowing the basic tenets of Islam before meeting his father. The man who can help him do that is his neighbour (Annu Kapoor) a lawyer. He teaches him the nuances of pronunciations and other mannerisms and some of those scenes are quite amusing. 

Dharampal is sandwiched between the two religions – his family insists he become a part of the godmans cult while on the other hand, he has to go out oh his way to learn another religion of which he knows nothing.

He studies Islam just so that he can meet his father and that reason is not very convincing. But it is just used as a device to challenge the common notions of religion and the screenplay does a commendable job of being equal opportunity offender. At the same time, it also plays it safe in many ways and doesn’t really push the envelope although you can’t fault the film makers for that - given the heightened sensitivity on matters of religion (the film apparently suffered at the hands of the censors), it is hard to deliver the envelope forget push it, never mind if the origin of the phrase had got noting to do with a literal envelope. Questioning beliefs is possible but faith is still a no-no.

The actors are in top form – Paresh Rawal is a seasoned actor and Annu Kapoor gives him good company. Nasseruddin Shah does justice to his flamboyant character. All said and seen, Dharam Sankat Mein deals with an important subject and nevermind if it is not entirely satisfying, it is still is a positive step towards better cinema. 


Published in The Navhind Times on 12th April 2015


Saturday, 30 August 2014

Film Review - Raja Natwarlal




Who Con Tha

Film: Raja Natwarlal
Cast:Emraan Hashmi, Humaima Malick, Kay Kay Menon, Paresh Rawal
Directed by: Kunal Deshmukh
Duration: 2 hrs 21 mins
Rating: * *

Directed by Kunal Deshmukh, Raja Natwarlal is one of those films with an extremely improbable plot that relies completely on the final pay off.  The problem with taking the audience round in circles for over two hours is that no matter how smart the climax, it’s not easy to forget the parts that look contrived. Besides, I can’t think of another similar film in recent times where the heroine’s character was so irrelevant to the plot and yet she gets so much screen time.

Inspired by a host of films starting from The Sting, Oceans 11 to desi flicks like Khosla Ka Ghosla and Special 26, Emraan Hashmi plays Raja a conman who works with his partner (Deepak Tijori) and when he has the time and money, he courts a bar dancer (Humaima Malick). Like all small time guys, Raja wants to go for the kill – one big job that will settle his future. That mission goes wrong and he loses his partner. The money they stole belonged to ruthless Indian businessman Yadav (Kay Kay Menon) based in South Africa.

In a bid to seek vengeance, he meets Yogi (Paresh Rawal) an ex conman himself who assembles a team of like-minded con men and off they go to South Africa.

Turns out that Yadav is a big cricket fan, he even knows the weight of Sir Don Bradman’s bat which was used in the 1937 Ashes series. Raja and co. then hatch a plan to dupe him which is so complex and throws all logic and reason out of the window.

A few liberties are always taken in films but if it does too often you lose interest in the proceedings. Clearly the script writers relied too much on the revelation in the climax and ignored the plot points leading to it. Romance generally has very little scope in such film and here it is a mega-drag because too much importance is given to it. Add to it, the songs don’t’ help the already dampened spirit.

It’s a pity because with the right tweaking Raja Natwarlal could have been a nice little caper but ends up being a forgettable flick.