Sloppy Sentiments
Film: Katti
Batti
Cast: Imran
Khan, Kangana Ranaut
Directed by:
Nikhil Advani
Duration: 2
hrs 20 mins
Rating: * *
Katti Batti
is one of those aspiring rom- coms with a dash of sentimentality thrown in –
effectively it is more of a slap than a dash, as the screenplay nosedives
towards self destruction. What starts off breezily ends up huffing and puffing
as it approaches the finishing line.
The film
aims at mixing all the ingredients of a successful Bollywood film with some
‘modernity’ thrown in – there is comedy, romance, drama, songs, dance and the
lead pair who have a live-in relationship. For this formula to work, all these
components have to be in the right measure and more importantly, there has to
be cohesive story line to bring it together.
Sadly, that doesn’t happen in this case.
Inspired by
the Joseph Gordon Levitt-starred 500 Days
of Summer, its starts off with a certain zing when we are introduced to Maddy
(Imran) and Payal (Kangana) who are living together. Their story is told in a
non linear fashion as it keeps cutting between the past and the present as the
plot reveals itself in piece meal. This device works well in thrillers and this
is not Pulp Fiction or Memento, it’s a plain Jane romantic film.
They met in
college, it was love at first sight for him and instantly he knew that this is
the girl whom he would marry. On the other hand, she is not keen on a serious
relation, ‘timepass’ is what she is looking for. Any average Joe would have jumped at that
opportunity but the characters here are a bit odd to say the least.
And there
are quite a few of them. Maddy’s sister must be one of the most depressing
sisters to have around. His rather hip colleague takes his hand and puts it on
her ample bosom to see how her heart is beating and the boss (Bugs Bhargava)
keeps on yelling as if he has discovered ants in his pants.
Towards the
end, he meets a pet shop owner who has a rock band and let’s not even get into
how the band was christened. Or how Maddy takes a leak in a rather expensive toilet
kept in a showroom.
The finale
is meant to get you all and sentimental and sappy with a twist thrown in but
you also realize you have been taken for a ride this far, because it is all too
contrived. The screenplay relies more on creating a few comic scenes even if
they are not particularly relevant to the story, for example the whole episode
about Maddy’s parents visiting him at the college hostel.
Shankar
Ehsaan Loy’s music is pleasant on the ears but they are all inserted on a cue
in the film.
Imraan Khan
is sincere while Kangana makes the best of whatever she has on hand. Even an
actress of her caliber cannot lift sagging film.
Published in The Navhind Times on 20th Sept. 2015
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