Monday, 15 December 2014

Film Review - The Hobbit: The Battle of the Five Armies




Battle Royale

Film: The Hobbit:The Battle of the Five Armies
Cast: Martin Freeman, Ian McKellen, Luke Evans
Directed by: Peter Jackson
Duration: 2 hrs 24 mins
Rating: *  *  * 

The Hobbit trilogy of films finally comes to an end with The Battle of the Five Armies. Directed by Peter Jackson, this prequel to the Lord of The Rings is just one book, and not too thick one at that, but Jackson managed to stretch it into 3 parts and that too of considerable duration in length. At 2 hours 24 minutes, this wrap-up film is the shortest compared to the other two.

The obvious problem of stretching a book so much is that the intensity goes missing and plus there is a lot of flab. The previous installment The Desolation of Smaug ended on a high and promised a high octane finale. It starts off with the dragon cutting loose and unleashing its fury on Laketown till an ace archer Bard  (Luke Evans) manages to put it to rest. Bilbo (Martin Freeman) and the dwarfs can only look from a distance while all the breathtaking action unfolds.

Once the opening act is over, the screenplay looses steam. Thorin (Richard Armitage) is all starry eyed and obsessed with the discovery of gold and even turns a blind eye to the word which he had given to Bard. Meanwhile Gandalf (Ian McKellen) manages to escape from Dul Guldur and makes an appearance when the fight to the finish begins. Bilbo Baggins pretty much becomes a spectator to everything that is happening around.

The battle of the armies is the most eye catching piece here and it lasts for over an hour. Jackson surely knows how to pull off a spectacle and the visuals are impressive. The finale is indeed the saving grace as there are portions which will appeal strictly to Tolkien fans.  There is also bit of romance thrown in for good measure between the Amazonian elf Tauriel (Evangeline Lilly) and lovestruck dwarf Kili (Aidan Turner). 

Compared to The Lord of the Rings, The Hobbit trilogy is a slight letdown primarily because it has not been sustainable from a storytelling point of view. Jackson has lived upto the challenge of using superior special effects as a creative tool.

But all said and seen, am glad he is done with The Hobbit. Now he can go back to making films again. 

Published in The Navhind Times on 14th Dec 2014

Film Review - Action Jackson




Double Trouble

Film: Action Jackson
Cast: Ajay Devgn, Sonakshi Sinha, Orange suits, Glass eyed man
Directed by: Prabhudheva
Duration: 2 hrs 26 mins
Rating: *  

"Na commitment na appointment, only punishment" thunders the hero. True, Action Jackson has no commitment to a sensible script and this film is one appointment we could do without.  But if a punishment is what director Prabhudheva was intending to unleash on the unsuspecting audience, then he has succeeded. And how.

Regressive, illogical, sexist, over the top, ludicrous are some of the words that come to mind as an instant reaction after watching this travesty of a film. Somehow, Prabhudheva   struck gold at the box office with films like Wanted, Rowdy Rathore and R..Rajkumar which were pretty awful in their own right, but this one takes the cake. 

The mind boggles to think of the story even for the purpose of writing this review.  There are two Ajay Devgn’s in the film, lets deal with the first one - Vishy is a Bambaiyya goon who could single handedly defeat the army of say Saint Kitts and Nevis or Kingdom of Tonga. Sonakshi Sinha plays a character whose I.Q is not only low, if a test is done, I suspect it come in the negative. She works in a corporate office and along with her other low I.Q friends is convinced that is she sees the goons family jewels, her luck will change. And to achieve her objective she makes several attempts and even tries to pull his pants. Meanwhile, you want to bury your head in a sand pit.

Now meet Devgn No.2, a lookalike of No.1, who is simple called A.J. He is an assassin from Bangkok, an expert with the Samurai sword and works for a don (Anand Raj) with one glass eye and a tonsured head. All his henchmen, with the exception of A.J of course, wear orange suits. Even the Dutch don’t wear so much orange at a football game. 

The bone of contention is the Don’s sister Marina (Manasvi Mamgai) who has the hots for A.J after he rescues her from another set of bad guys.  The feeling is not mutual as A.J is going steady with Anusha (Yami Gautam) making Marina the most desperate woman in our solar system.  The two lookalikes then have to help each other till a fight to the finish is arranged leaving you brain dead.

People slap each other for no particular reason and women are punched in the face and if there was a race for pregnant women to run in high heels, Yami Gautam would win it hands down.  Prabhudheva ji also tries to be a Tarantino and Roberto Rodriguez in the action scenes and needless to say, he fails. 

There are plenty of routine dance numbers and the dialogues are completely inane, like this one “My way or the sky way” whatever that is supposed to mean.

Sonakshi Sinha is getting used to and becoming an expert at these dumb characters. But whatever has got into Ajay Devgn? Last year it was Himmatwala and now this. 

Move over Sajid Khan, you have stiff competition from Prabhudheva. 

Published in The Navhind Times on 7th Dec 2014

Film Review - Exodus - Gods and Kings


Leaving Home

Film: Exodus - Gods and Kings

Cast: Christian Bale, Joel Edgerton, Ben Kingsley

Directed by: Ridley Scott

Duration: 2 hrs 30 mins

Rating: * * *

Hollywood has been evidently gravitating towards religious themes and if you make it into a big spectacle then box office success is guaranteed. This year itself we have seen couple of high profile directors revert to the Old Testament, Darren Aronofsky with Noah and now Ridley Scott with Exodus - Gods and Kings, the director has made some memorable sci-fi films like Alien and Blade Runner and the crowd pleaser, Gladiator. 

Scott who is 77, is still on the money when it comes to creating a larger than life film with stunning visuals. The letdown is the screenplay, with four writers sharing the credit it could well be a case of too many cooks spoiling the broth.  

Set in ancient Egypt, a grown up Moses (Christian Bale dressed as a warrior) is good friends with Ramses (Joel Edgerton, dressed in a skirt, long one) and the Pharoah (John Turturro) prefers the adopted Moses to his son. The two men have the odd disagreement especially when it comes to the slaves. After his identity is discovered (he is a Hebrew) Moses is banished, he meets a girl in the desert gets married and almost lives happily ever after.

Till God appears in the form of a 10 year old boy telling Moses not to sit tight and keep an eye on the atrocities committed by Ramses.  Moses takes it very seriously, after all it is the word of God, invisible to everyone else albeit.

The plagues strikes Pithom after Moses tries to reason with Ramses – crocodiles eat up humans, insects and frogs take over the city and the sea turns blood red. With a $200 million dollar budget all that and more can be arranged. The finale where the huge wave strikes not to mention those sweeping camera takes as it builds up, are quite impressive.

What lacks is a strong narrative. At least Aronofsky had a different take on the Noah story, here the screenplay neither pushes the envelope nor sticks to the traditional Cecil B. DeMille’s Ten Commandments kind of narrative. In the end we see Moses as an old man but he looks tad younger than he would at 120 years of age. 

On the whole, Exodus is a watchable film for its scale and visual grandeur in spite of the 3D which doesn’t add any value. 

Published in The Navhind Times on 7th Dec 2014

Wednesday, 19 November 2014

30 FILMS FROM WORLD CINEMA TO LOOK OUT FOR AT IFFI



The line up of the foreign films at IFFI looks quite impressive not to mention the retrospectives of legends like Krzysztof Kieslowski and contemporary film makers like Mohsen Makhmalbaf and Jeon Soo-Il.  Here are 30 films to look out for at IFFI this year. 

 

1.    Leviathan (Russia) – If there is one and only one film I could watch at the fest, it would be Leviathan directed by Andrey Zvyagintsev. Among other awards, the film won the best screenplay at Cannes earlier this year and has received tremendous critical appreciation.  Zvyagintsev was at IFFI in 2011 when Elena was screened and it won the Best Actress award.

2.  Timbuktu (France, Mali) – Winner of the Prize of the Ecumenical Jury at Cannes this year, Timbuktu is a film about a place where religious fundamentalists have taken over and how the lives of the people get affected with it

3. The Fool (Russia) – The film won a handful of awards at the Locarno film festival including the Prize of the Ecumenical Jury and Junior Jury award. The story is about an honest plumber who fights against a corrupt system in order to help a bunch of tenants. 

4.   Foxcatcher (USA) – The film starring Steve Carell and Channing Tatum won director Bennett Miller the Best Director prize at Cannes. It is about an Olympic Gold Medal winning wrestler who forges a new partnership with a wealthy man to train and how it affects the relationship with his brother.

5.    A Hard Day (South Korea) – Amidst mostly serious films, there is nothing like a crime thriller to break the monotony.  Screened at Cannes in the Directors Fortnight along with the Toronto and London Festival, the story is about a detective who knocks a man down while driving setting off a chain of events 

6.   Ida (Poland )- Winner of the FIPRESCI prize at Toronto and the Best Film at London Film Festival (and other 30 odd awards), Ida is the story of  a young woman  who is all set to take her vows as a nun when she discovers some family secrets that changes everything. 

7.   Life in a Fishbowl (Iceland) – Iceland’s official submission at the Oscars this year, the story is about a writer who is on a drinking binge and a single mother who has to resort to extremities to make ends meet.

8. Little England (Greece)- Official submission of Greece to the best foreign language film category at the Oscars, this drama of love, passion and relationships set is in the 1930’s.

9. The Postman's White Nights (Russia) – This mid festival film picked up a couple of awards at the Venice film festival including the Silver Lion. The director Andrei Konchalovsky has also made some English films as well like Runaway Train. 

10. Sivas (Turkey) – Winner of the special jury prize at Venice, Sivas is a story about an 11 year old boy and his friendship with a fighting dog named Sivas.  The young boy also won accolades for his performance. 

11.The Theory of Everything (USA)- Director James Marsh won an Oscar for his documentary Man on wire, but this film is based on the life of  the famous Physicist Stephan Hawking and the relationship  with his wife Jane Hawking.  

12.The Tribe (Ukraine)- Winner of the Critics Week Grand Prize at Cannes, this powerful film is without dialogues or subtitles. It about a deaf mute teenager who struggles to be a part of the boarding school and the film is one of the more remarkable films at the festival. 

13.Turist (Sweden) – Winner of the Un Certain Regard Jury Prize at Cannes, this gripping tale is about a family on a vacation on the French alps which is struck by avalanche. What follows is a family drama.

14.The Way He Looks (Brazil) This crowd pleaser is also Brazil’s submission at the Oscars this year. It is about two teenagers, their friendship and how it changes when another young boy moves to their part of the town.

15.Blind Massage (China) – Winner of the Silver Bear at Berlin, Blind Massage is about a massage parlour where all the employees are, well, blind. This is a film with interesting characters and has bittersweet moments.

16.Charlie’s Country (Australia) – Director Rolf de Heer’s name may not be as popular as some of the other directors from world cinema, but make no mistake, his filmography is highly impressive. This film won David Gulpill (who also acted in de Heer’s Tracker) the best actor award at Cannes in Un Certain Regard. 

17.Behaviour  (Cuba)  - Part of the competition section, this film about a young boy who becomes the breadwinner in his family has won quite a few accolades around the world.

18.Corn Island (Georgia) – Not surprisingly, this stunningly shot film is Georgia’s entry at the Oscars. Impressively directed by George Ovashvili, with minimal dialogues, this story is about a grandfather and his granddaughter who live on a makeshift island.

19.Mommy (Canada) – Xavier Dolan the 25 year old director’s Mommy is a whirlwind of a film.  Brilliant acting, especially from Anne Dorval who has given one of the best performances of the year, Mommy has set the bar very high for Dolan. It shared the Jury prize at Cannes this year with a film that I loathed- Godard’s Goodbye to Language. 

20.Difret (Oblivion, Ethiopia) – Just for the sheer story of guts and glory of a girl who is abducted and escapes from the clutches kidnappers and a lawyer who fights for the girl’s rights, Difret, based on a true story is worth a watch. Anjelina Jolie has also been promoting the film after it caught her attention.

21.Clouds of Sils Maria (France) – Directed by Olivier Assayas (who served on the IFFI jury in 2007) the film stars Juliette Binoche as an actress who is asked to play the role that made her famous couple of decades ago. The film also stars Kristen Stewart and ChloĆ« Grace Moretz.         

22.Winters Sleep (Turkey) – Directed by Nuri Bilge Ceylan the film won the top prize, the Palm d’Or at Cannes. It is about an actor turned hotel owner living in Anatolia with his wife with whom he has a tumultuous relationship. The film has a daunting length of 196 minutes but it still is one of the highlights of the festival. 

23.The Look of Silence (USA) – Director Joshua Oppenheimer stunned the world with his documentary The Act of Killing and has followed it up with another remarkable film. Based in Indonesia, a family confronts the men who killed one of their brothers. 

24.The Salt of the Earth (France) – Directed by Wim Wenders and JulianoRibeiro Salgado, this documentary won Prize of the Ecumenical Jury Special Mention and Un Certain Regard Special Jury Prize at Cannes this year. The citation read “This documentary masterpiece about photographer SebastiĆ£o Salgado is a compelling testimony of our time and a reflection of the human condition worldwide that shows the possibility of hope for humankind.”

25.A Pigeon Sat on a Branch Reflecting on Existence (Sweden) - The final film of the trilogy from director Roy Anderson, the other two being Songs From The Second Floor (2000) and You, The Living (2007), this film with a rather interesting title won the Golden Lion at Venice this year. 

26.Flapping in the Middle of Nowhere (Vietnam) –The film won the Fedeora award at Venice. It is about a young woman who discovers that she is pregnant. Along with her boyfriend, she tries to make money to have an abortion.

27.The Imitation Game (USA, UK) – Based on the life of Alan Turing, the film has wooed critics and audiences alike by winning a handful awards. Benedict Cumberbatch stars in the lead role and since the film is likely to see a theatrical release, don’t punish yourself if you miss it.

28.The Owners (Kazakhstan)  - A young man along with his sick sister and teenage brother are forced to leave their house. When they move to an ancestral house, they discover it is occupied by someone else.

29.Mr. Kaplan (Uruguay) – The country’s entry at the Oscars this year, the story is about an elderly gent who goes on a mission of his own after he suspects that there is a Nazi in hiding.

30.Dearest (China) – This film is about a couple living in a village who are coming to terms with the disappearance of their son.

Apart from these films White Shadow (Italy, Germany), Susanne Bier’s A Second Chance (Denmark Sweden), Cold in July (it made waves at the Sundance festival), Nabat (Azerbaijan’s entry at the Oscars), The Guide (Russia) might just be worth it.

Published in The Navhind Times on 20th Nov 2014