Showing posts with label Aamir Khan. Show all posts
Showing posts with label Aamir Khan. Show all posts

Saturday, 20 December 2014

Film review - PK


Food For Thought

Film: PK
Cast: Aamir Khan, Anushka Sharma
Directed by: Rajkumar Hirani
Duration: 2 hrs 33 mins
Rating: * * * ½

Since he made his debut as director in 2003, Rajkumar Hirani has made four films and each one has wooed audiences and critics alike. The distinct feature of his films is that not only does he entertain, but in the process he makes larger points about society and people.

This time he has admirably taken on an issue that has not been highlighted much in films and, if it at all, it has mostly been in a preachy form: godmen and religion have plagued society for long, and Hirani attempts to address this matter.

The end product may not be entirely satisfactory, but for what the director has attempted to highlight and does successfully, the film deserves applause. Plus, whenever the screenplay hits a few road bumps, the lead actor Aamir Khan comes to its rescue with his savior faire.

Imagine someone from an alien planet who lands on this earth and discovers our strange ways of life. By strange I mean, hating, mauling and killing other people for no discernable reason except that they belong to another religion or caste.  Ideally, I think he or it would laugh at us for being the densest species in the universe, for our infinite capacity for self-destruction.

PK (Aamir Khan) is an alien who has come from outer space but looks human. He lands in the deserts of Rajasthan wearing nothing but his birthday suit and the ‘remote control’ of his spaceship. He doesn’t speak any language but eventually learns Bhojpuri in just six hours. And like many humans, he rolls his eyes and bobs his head. The ‘remote control’, or the device with which he controls his spaceship, is stolen and he is stranded. Luckily, he acquires an ancient Panasonic two-in-one (model RQ-565D for those interested in trivia) to cover his family jewels.  He is told that only God can help him retrieve it but the question is, which God should he turn to for help? He tries all possible options – Jesus, Allah, Krishna and the other deities – but with no success. This is where director Hirani lays the ground to make bigger and bolder statements. Occasionally they are not so subtle, and that factor depends entirely on your own sensibilities and notions.

Anushka Sharma plays Jagat Janani and wisely enough, she prefers to be called Jaggu. A television anchor who returns to India from Belgium, she doesn’t buy PK’s story to begin with, but when she is convinced, she helps him retrieve his ‘remote’ which is in the possession of a self-serving godman (Saurabh Shukla). That sets the ground further for an all-out expose of blind faith that plagues the country.

The first half of the film is breezy with some witty dialogues and situations. It is not easy to make people laugh by portraying their own silly beliefs (like the majority of students praying before their exams as if that will alter the result, to quote just one oddity).

Boman Irani as Jaggu’s boss and Sanjay Dutt as PK’s rustic buddy make an appearance with relatively little screen-time.

While there is subtlety in some scenes, as when PK visits religious places, Ghalib’s Zahid sharab peene de masjid mein beth kar sung by Mukesh plays in the background as he approaches a mosque and he lands up at a church with a coconut and incense in a thali.

At the same time there are passages that are preachy and the second half of the film takes a tumble with the dramatic climax. The faults are easy to spot but they can be ignored because the larger picture takes precedence. The theme of godmen was tackled in Oh My God as well but this movie takes it a notch higher. The writers (Abhijat Joshi and Hirani) have ensured that they are equal opportunity offenders when it comes to different religions. 

The success of the film lies not only in what it portrays on the screen but also in how it makes the audience ponder about the central theme. After all, how many films offer any food for thought these days?

While a couple of the songs (Love is a waste of time and Bhagwan, Hai Kahan Re Tu) may be hummable and well-picturized, they are out of place in the narrative and slows down the momentum. The background music is also a bit frenetic at times.

Of the cast, Anushka Sharma is sufficiently bubbly and charming as her character demands. Aamir Khan gives one of his best performances and plays the lead role with terrific conviction and ease.

On the whole, PK is far from being flawless but it remains a must watch film for those who believe in god, and also for those who don’t.


Published in The Navhind Times on 20th Dec 2014

Friday, 20 December 2013

Film Review - Dhoom 3

                                         The Dhoomsday Conspiracy

Film: Dhoom 3
Cast: Aamir Khan, Abhishek Bachchan, Katrina Kaif, Uday Chopra
Directed by: Vijay Krishna Acharya
Duration: 2 hr 52 mins
Rating: * *

Going by the hype and frenzy of Dhoom 3, you would assume that the previous two films were cult classics but nothing could be farther from the truth. It is just that the franchise has got a name for itself and more over, this film stars Aamir Khan and in the last few years, everything that he has touched has turned to gold.


Dhoom 3 has already offered the film makers gold at the box office but beyond that there is not a great deal to gloat about. Clocking almost three hours, the plot is more labored than the labor room of the government medical hospital on a particularly busy day. Yes, it is a very slick film with lots of action but most of it is ineffective, pretty much like the Zimbabwean currency. Moreover, the screenplay doesn't make an effort to be convincing and there is a lot of ‘inspiration' that is drawn here. If imitation is the best form of flattery, Christopher Nolan will be mighty pleased to see Dhoom 3.    


Rewind to circa 1990 in Chicago where an Indian magician (Jackie Shroff) is having a tough time repaying the bank loan to keep his Great Indian Circus going. Looks like they don't want EMI's, they want the whole sum back which leads to him taking drastic measures.


His magician son Saahir (Aamir Khan) grows seeking vendetta against this particular bank. He vows not to rest in peace till he brings the bank and the owner whose name is Warren Anderson, to their knees.You may have heard of the rupee being floated by our V for vendetta guy believes in robbing the bank and lets those green backs fall from the sky. Now if you rob a bank will you try to make a quiet getaway or try your best to draw as much attention as you can so that you can race the cops on the bike? In this film, the answer is the latter. Especially considering that the bike he has a Transformer type BMW that can change its shape and also become a speed boat. I hope we get such bikes in India, might come in handy considering the traffic.


Speaking of India, we meet Inspector Jai (Abhishek Bachchan) who makes a grand entry in what is the most strongly built auto rickshaw ever, beating up baddies along with his side kick Ali (Uday Chopra). I can't remember the last time when we saw the same vehicle pass through so many walls.  


Considering the ineptitude of the Chicago police in tracking the culprit, the Indian police are summoned to crack the case. "Do we know who's responsible for the robbery?" asks the bank owner. "At this point, all we know is that he was a thief." says the policeman. Such an enlightening conversation.


Katrina Kaif is also seen a minuscule role, she auditions to be a part of the circus by showing her dancing skills and by impressing Saahir with the several layers of clothing she wears.  She becomes a part of the circus all right and they also get a standing ovation in America for singing Hindi songs in front of the audience.


The film makers have spent considerable amount of effort and money in making the film look good, except in the writing department. Aamir Khan's character drawing attention after a theft once can be pardoned once but to see the same thing every time, you would need a bottle of Hajmola to digest that.


A bit of tongue in cheek action is fine but mixing that up with a serious plot doesn't yield good results - for instance Samar's intention of shutting the bank are serious and so is the cops objective. As a result, most of the humor generated is unintentional except where Ali is involved to provide comic relief.


The cinematography by Sudeep Chatterjee is from the top draw, the editing though could have been sharper, minus all the flashbacks. This may not be Aamir Khans most memorable performance but still he manages to carry the film through by adding that zing to his character.


If it was shorter, Dhoom 3 would have made it to the so-bad-that-it-is-good category but at three hours no bad film can be deemed as good. 



Published in The Navhind Times
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